Sebastiano Ricci(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. | |||
 |
|||
 |
|||
 |
|||
|
|
|
||||||||||
|
|
||||||||||
|
The Miraculous Draught of Fishes Pintura Identificación:: 91456 Vea nuestra galería en Suecia |
The Miraculous Draught of Fishes 1695(1695) Source Detroit Institute of Arts cyf 1695(1695) _ Source_Detroit_Institute_of_Arts _ cyf |
||||||||
|
|
||||||||||
|
Sturz der rebellischen Engel Pintura Identificación:: 91472 Vea nuestra galería en Suecia |
Sturz der rebellischen Engel c. 1720 Medium oil on canvas Dimensions Deutsch: 78,1 x 64,8 cm cjr c._1720_ Medium_oil_on_canvas _ Dimensions_Deutsch:_78,1_x_64,8_cm_ cjr |
||||||||
|
|
||||||||||
|
The Deposition Pintura Identificación:: 97743 Vea nuestra galería en Suecia |
The Deposition 1516(1516) Medium Oil on canvas transferred from wood cyf 1516(1516)_ Medium_Oil_on_canvas_transferred_from_wood_ cyf |
||||||||
|
|
||||||||||
|
Bacchus und Ariadne Pintura Identificación:: 97957 Vea nuestra galería en Suecia |
Bacchus und Ariadne oil on canvas Dimensions Deutsch: 75,9 x 63,2 cm cyf oil_on_canvas_ Dimensions_Deutsch:_75,9_x_63,2_cm_ cyf |
||||||||
|
|
||||||||||
|
Heilige Familie mit Hl Anna Pintura Identificación:: 97984 Vea nuestra galería en Suecia |
Heilige Familie mit Hl Anna 1709(1709) Medium oil on canvas Dimensions 138 x 103 cm cyf 1709(1709)_ Medium_oil_on_canvas_ Dimensions_138_x_103_cm_ cyf |
||||||||
|
|
||||||||||
| Artista Previo Próximo Artista | ||||||||||
|
|
||||||||||
| Sebastiano Ricci | ||||||||||
| (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira. | ||||||||||
|
|
||||||||||
IntoFineArt Co,.Ltd.